Monday 17 November 2014

Thinking about Location

The brief for this exercise was to find six very different locations which could be used for full body and torso shots. Being a lover of the great outdoors, in photography as well as in life, I set out to explore some of my favourite places.
This bridge is part of a lock gate at the marina; I love the textures of the bridge and feel it could add an extra dimension to an otherwise delicate image such as a bridal portrait. It would also work with an urban style portrait such as those in the previous exercise using a skateboard as a prop.



Continuing the urban theme but with a two-dimensional backdrop, graffiti can provide a vibrant edge for a funky portrait. The rise in permitted graffiti means that it is possible to fit the style of graffiti to that of the client. 


Coloured doorways can add colour and texture to an image. A massive variety in style and age, yet again can be tailored to fit the client – it’s just a case of knowing where to find them.


An attractive pathway can provide a great backdrop for relationships portraits, whether it be a couple, siblings or parents with children. I prefer this background with the image taken from behind, putting the focus purely on body language rather than facial expression to express the relationship.



Living by the coast, I have several beaches to choose from, each with their own character. Depending on the beach, the setting can be romantic or playful.


Also found on the beach are breakwaters. The texture and natural hues can provide a flattering backdrop to warm skin tones. Flashes of colour such as the red and green below can also be found on the right beaches.



Textured walls have been used for wedding photography for some time now. Whether red brick, or peeled paint, texture adds an extra dimension to a portrait.

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Jordan
I chose the green breakwaters at my favourite beach, Spurn Point to compliment Jordan’s red hair. I felt that slotting Jordan between the tall planks of wood would add depth to the image.


The closer shot is reminiscent of Jason Bell’s photograph of Stephen Fry, shown in my previous research.

A leaning post is provided for a relaxed shot.


Having omitted the red hair, I feel that the green tones now overpower this image, bringing out green tones in the face.

The reds and greens perfectly mirror Jordan’s hair and bag. I decided to use a pose with more motion to match the movement provided by the nails.

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