For
the purpose of this assignment, I have aimed to show my images as a linear
picture essay, mainly chronological but with some artistic license on order to
take the viewer through the story of the Marathon as I saw it. In my research
of sporting photography, I came across many images used in sports advertising,
which appeared too polished for this particular purpose. I was pleased to find
some examples of sporting documentary photography in the Guardian, much more
fitting to the gritty story telling I was hoping to portray. In the process of
choosing which images to use, I attached words to each file name to help me to
decide which images held the most meaning for my essay. Photographers such as
Briony Campbell with “The Dad Project’ often use text to reinforce the meaning
in their images and as I started to connect my images with the text, I felt it
appropriate to use these words in my essay.
The
essay starts with a lone spectator, reading his book to while away the time
between runners as our view of the event slowly builds up. As always, the event
starts with racers in wheelchairs and the IPC (International Paralympic
Committee) leaders, followed by the elite runners. As the event picks up, we
see television crew filming from the road and a return to our lone spectator
sees him now cheering on the runners with friends.
Amateur
runners, tired and bleeding enter the scene as an athletically dressed amputee
watches on, seemingly remembering better days. A young female runner becomes
emotional as she spots loved ones in the crowd while a man adorns poppies and
the names of loved ones lost.
The
mood picks up again as a family cheer a runner on, the young boy beside himself
with excitement. Encouragement from loved ones and a smell of the final furlong
brings on a burst of energy as we move towards the final image. The runner’s
shaven head represents the loss of hair universally connected with
chemotherapy; her friend behind bearing the message, ‘Cancer, we’re coming to
get you’. I have used this as my final image as for me, it sums up what the
London Marathon is all about; striving against adversity to achieve goals and
raise much needed funds for those in less fortunate.
We
wait
We
run
We
record
We
cheer
We
walk on
We
remember
We
dig deep
We
cry
We
respect
We
celebrate
We
love
We
strive
We
rejoice
WE
FIGHT BACK!
Evaluation:
Demonstration of technical and visual skills
I had some difficulty throughout the day figuring out the right
shutter speeds for panning as this differed depending on focal length. Apart
from some motion blur on hands and feet, most of the images are fairly sharp. I
am not too worried about motion blur on extremities as this shows movement. For
the purpose of this assignment, I felt it important to choose images that
reflect the story I aimed to tell, rather than a selection of my sharpest
images with no story. I would to have had both, however an event such as the
London marathon leaves no option to reshoot.
I am pleased with the use of colour in images, Guide, Hope and Cry
and my final image, Fight back.
I feel that I have used a good variety of images showing close up
and full length shots of both runners and spectators given my limited vantage
point.
Quality of outcome
I am pleased that I managed to capture many of the emotions
present in such an iconic event. The images I have selected show exhaustion,
determination and the sheer joy of seeing loved ones restoring a strength
almost dissipated. I feel that the order of the images aids to guide the viewer
through the feeling of the day.
Alongside the subjects in my images, in some their placement in
the frame adds to the mood. Wait shows a lone figure with a grey, neutral
backdrop, slightly boring as the man waits for the race to begin. The next
image, in sharp contrast is a mass of vibrant colour. As we return to the same
man in Cheer, we see a flash of colour, the red, yellow and blue working
together to bring life to the image. The mood of this image has clearly changed
from the first when the man was alone and a little bored.
In Remember, the vibrant colours and balloons contrast with the
apparent sadness in the spectator’s face.
Demonstration of creativity
In order to be true to my developing personal voice, I have chosen
images that show active emotion and tell a story over those that are
technically more perfect. My aim was to show character in the runners and to
reveal a small piece of their story and I feel that I have gone some way to
achieve that.
Context
My learning log shows awareness the different styles of sports
photographers, my favourite being Bill Frakes as his images show depth of
character in his subjects, revealing emotional motion in the passing moments he
captures around the world. I was also pleased to discover some interesting
documentary style photography on the Calcio Storico and the Battle of the
Oranges.
Bibliography
Bill, F.
(n.d.) Moments BILL FRAKES. Available from:
<http://www.billfrakes.com/moments> [Accessed 10 July 2015].
Campbell, B.
(1986) The dad project Available from:
<http://www.brionycampbell.com/projects/the-dad-project/> [Accessed 10 July 2015].
Mondy, D.
(2015) Ali-Liston 50
years later: The real story behind the greatest sports photo of all time Slate Magazine. Available from:
<http://www.slate.com/articles/sports/sports_nut/2015/05/ali_liston_50th_anniversary_the_true_story_behind_neil_leifer_s_perfect.html>
[Accessed 10 July 2015].
Muhammad
Ali (n.d.)
Available from: <http://neilleifer.com/gallery/muhammad-ali/> [Accessed 10 July 2015].
Powell, J.
(2016) The Calcio Storico, the most brutal sport on earth – in pictures. The Guardian, 13 May. Available from:
<https://www.theguardian.com/football/gallery/2015/jun/27/the-calcio-storico-the-most-brutal-sport-on-earth-in-pictures>
[Accessed 20 February 2016].
The Guardian
(2016) Italy’s ‘battle of the oranges’ carnival – in pictures. The Guardian, 8 February. Available from:
<https://www.theguardian.com/world/gallery/2016/feb/08/italys-battle-of-the-oranges-carnival-in-pictures>
[Accessed 20 February 2016].
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